Autumn – autumpne in the 16th Century, from the Old French autumpne, automne (13c.), via the Latin autumnus (or possibly auctumnus, perhaps from auctus meaning ‘increase’).
Before the 16th Century the season was called Harvest, though that word has now come to mean the action of harvesting, rather than the entire season. Some believe the lost root suggests a ‘drying out’ and point to the old English word for August: sere-month.
This wonderful painting by the 16th century Milanese painter Giuseppe Arcimboldo depicts Autumn wittily personified. In this New York times article the author asks if Arcimboldo was insane – a meaningless question since the tastes of the 16th century aristocracy who commissioned Arcimboldo were of their time and place in history, which is not ours. Moreover collectors and artists alike have often evinced a taste for the bizarre and theatrical. It seems entirely fitting that, according to Wikipedia, the Paladin 1977 edition of Thomas Szasz’s seminal work ‘The Myth of Mental Illness’ bore Arcimboldo’s painting ‘Water’ on the cover. Here it is:
I’ll write of the Four Elements in a later piece, but as part of my celebration of Autumn I’m posting the illustrations and text from the Ladybird publication ‘What to look for in Autumn’, with words by E. L. Grant Watson, and illustrations by C. F. Tunnicliffe that are deeply evocative of a lost time and place.
The book I own was published in 1960 and (though my copy is not the original I enjoyed as a child) by leafing through the pages and taking in Tunnicliffe’s deceptively simple paintings, I am transported back to experience again the wonder and fascination that these books inspired. The books even have a slightly musty smell of old damp, redolent of Autumn itself, just as my lost copies did. Back then, without central heating, everything was slightly damp.
While it is clear that the books are out of print, the copyright belongs to Ladybird books. I acknowledge this and hope that my scans will be allowed to stay online (I emailed Ladybird to ask for permission but received no reply).
Here are the first four spreads of the book:
The ploughed field
There is a sad innocence in the description. Nowadays venturing onto a ploughed field is to invite a prosecution for trespass.
A note too about identifying mushrooms: please go on a course or find someone who has, as there are many species that look superficially similar but differ considerably in toxicity. For identification that is not aimed at consumption, here’s a good site: http://www.first-nature.com/fungi/index.php
The wild harvest
We’re past the blackberries now, though I still have an untouched bottle of cordial that I hope is still drinkable. Nothing evokes late summer/early autumn quite as much as the scent and dark wine-like flavour of blackberries. A shot glass of warm blackberry cordial, served neat, is a truly delicious nightcap that will instantly conjure hot country lanes and the sound of drowsy insects.
The hop pickers
As far as I know this is an activity that has just disappeared. No one goes on hop picking holidays now, though they used to be an institution. Here’s a rather bucolic account and here’s another more socially aware treatment from none other than George Orwell.
The flight of the swallow
I love Tunnicliffe’s lichen covered roof (it looks so hot and dry) and the carefully observed stances of the birds. More of these wonderful illustrations later I hope.